Here is the last stage for this piece. I started by painting in the black glove area first. Then I painted the ring and added the glow burst. Next I went around the logo with white uni Posca paint marker to give it a cleaner outline. Lastly I painted the outer green glow aura fx… Read more »
On this stage I outlined the body and arms with Faber-Castell PITT Artist Pens. Then I used dry brush technique to get the muscle highlights throughout this stage.
I started this stage by working on the Lantern symbol. I did’t like way the symbol was looking so went back and reworked it. Then I outlined the symbol with Faber-Castell PITT Artist Pens. From there I painted the lantern shape first and then the outside circle. Next I painted the white area and then… Read more »
I started on this stage by outlining the right side neck and shoulder area with Faber-Castell PITT Artist Pens. Next I painted the green neck area first and then moved to the right shoulder. From there I moved on to painting the right side chest areas. With the right areas finished I moved to outlining… Read more »
Face Process I started this stage by painting the face with a brown undertone. Then I moved on to painting the light base tone. After that I painted the face area by slowly going back and forth building up the skin texture with dry brush technique. Next I outlined the eyes & nose with Faber-Castell… Read more »
Post
2018 SDCC EXPERIENCE
Here are some of the highlights from my 2018 SDCC experience. I did a couple portfolios this year. I saw the awesome Joe Jusko, he’s the reason I decided to pick up a brush and start painting. His new art book “Joe Jusko’s Marvel Masterpieces” was on sale and I was able have it signed…. Read more »
Here’s the finished up Sinestro Sketch Cover and the last step to my process. This is my favorite part of the process, adding all the little things that bring the artwork together. I add yellow to the energy with marker and acrylic using dry brush. For the ring power glow I use the same technique…. Read more »
Here’s the next step in my creative process of adding color to this Sinestro Sketch Cover. Topic’s are very similar to watercolor. You have to start with the lightest color first and slowly build up layers of overlapping darker colors and tones. Like with watercolor paint you need to use the white of the paper… Read more »
Here’s my starting process to laying down color on this Sinestro Sketch Cover. Since the DC Sketch Cover surface takes markers well I’ll use a combination technique of Copic and Liquitex. After the base background is put down, I’ll mask off the logo and Sinestro with tracing paper and painter tape. The star field is… Read more »